La Force, the fascinating solo project of Ariel Engle, released a critically acclaimed second album, XO SKELETON, on September 29th and today she unveils a music video for outrun the sun. The singer-songwriter will perform in Montreal, Toronto, and Ottawa next week, allowing us to discover the live version of her latest opus.
The video for outrun the sun was directed by two faithful collaborators of Engle – Sara Melvin and Ali Vanderkruyck – in scorching hot locations in the Californian Anthropocene.
The video for outrun the sun explores the pride and arrogance of humanity, which thinks it can fool Mother Nature. Instead of a vital force, the sun is turning into something that makes us fear for our lives, say the directors.
Thanks to animation and an infrared drone, the perspective shifts between the runner (La Force) and the stalker (the sun). We shot in arid places like the Sepulveda Dam, an abandoned open-air location. Among the hot concrete and dried weeds, Ariel and our small crew were overheating, sweating, covered in dust. In the Californian Anthropocene, we experienced the issues addressed in the song in real time.
Engle will perform in Los Angeles at the Moroccan Lounge on November 16, before returning to Montreal at the PHI Centre on November 21 and 22 (Sold Out), where she will kick off the XO SKELETON Performance Series. She will then visit Toronto’s TD Music Hall on November 24, as well as Ottawa’s Fourth Stage on November 25.
The XO SKELETON Performance Series is meant to be a full 360 experience, combining live music with performance art, sensory installation, immersive sound design, and video projection. The performance series will center experiences and topics often relegated to the background—of music, of popular culture, and of our own psychic landscape—whilst pushing the boundaries of traditional musical performance and creating an augmented, embodied experience for its audiences.
XO SKELETON by La Force has been well-received - MOJO, Rolling Stone France, Stereogum, Brooklyn Vegan, Clash Magazine, NYLON, The Fader, BBC6 Music, Exclaim! and more have praised it. Exclaim! declared: La Force’s Ariel Engle creates ruminative, unclassifiable pop music as haunting as its subject matter - ★★★★, MOJO (UK) and Rolling Stone Germany also gave it a rating of ★★★★, and La Presse gave it a ★★★ ½. It was included in CBC Music Fall Guide: 19 new releases you need to hear, and the 12 Quebec albums to hear this Fall from Journal de Montréal.
The album is supple, steady, uncanny: a mixture of haunted pop and hot-blooded R&B that glistens at the meeting point between life, death, and love. The album was coproduced by La Force and Warren Spicer (Plants and Animals). The theme of the album revealed itself in the making, she explains, recalling how the title track is rooted in a telephone call with her life-insurance broker—one everyday banality on the periphery of death. At one point she said, ‘God forbid you should die.’ I was gobsmacked. ‘Well, there’s one thing guaranteed: no god or goddess is going to keep me alive.’
Born and based in Montreal, La Force made her electrifying studio debut on Broken Social Scene’s 2017 album Hug of Thunder. The following year, Engle released La Force, garnering a Polaris Music Prize long-list nomination and drawing attention from Stereogum, The Globe & Mail, and NPR’s Morning Becomes Electric, as well as The National’s Aaron Dessner, who recruited Engle to appear on the new Big Red Machine LP alongside Bon Iver, Taylor Swift, Fleet Foxes and Sharon Van Etten. Engle was also invited to contribute to the recent album by Patrick Watson, who used their collaboration as the lead single on 2022’s Better In The Shade. Engle recently released a critically acclaimed (★★★★ - MOJO) album part of ALL HANDS_MAKE LIGHT, Engle’s drone/modular synth/voice team-up with Godspeed You! Black Emperor founder Efrim Manuel Menuck. Engle has appeared on stage with the likes of Maggie Rogers, Martha Wainwright, Leif Vollebekk, The Barr Brothers and more.
LaForce.com

Downloads : Cover (jpg) • Press photo (jpg) Credit : Norman Wong
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